lectronice.

A nice fellow going by the name of the UBLF has chosen to include you have been destroyed from the cats don't cry EP in his latest podcast. I'm quite flattered, since it's one of my favorite songs amongst my stuff, and in my opinion the best of this EP. The podcast is hosted here, and ...

Dziff, a friend of mine, has chosen to work on an animated short movie project for the end of her art studies. Since the story was about video games, solitude and addiction, I had no choice but to offer her my help when I heard she was looking for some chiptune-like music. This is called Pig ...

Lately I've become filthy rich, so I've bought a motherfucking Kaossilator Pro. It's totally awesome for wannabe musicians who don't have a clue about music theory. I may even buy a second one. Or maybe a Kaoss Pad. Or maybe an Electribe. Or maybe all of them. It seems like I'm becoming a Korg fanboy. Being ...

Lately I've been working on a soon-to-be released web rhythm game involving classical music, drum & bass, industrial music and dark atmosphere. In the process I've decomposed / recomposed / remixed / reworked various pieces of classical masters, including Mozart, Hendel and Bach. Mozart is a fucking monolith. There's no way to properly remix his work, ...

This one was composed for a friend's birthday, and named after the way she deals with her love life. In english, it means "the heart ablation". It's the second track of "post-love", lectronice's upcoming album. In the beginning, this was supposed to be a minimal/industrial techno track, but of course everything went wrong, and it evolved ...

It took me an equal amount of time to make this track and to find its title. In the beginning it was supposed to be called "magic moves to make women melt", after some especially poetic spam mail. But it seems like I'm currently in a stupidly serious phase involving semi-cryptic titles, maths, robotic emotions and ...

Here comes a totally unexpected new EP by lectronice. I hope you don't mind glitches. It was all made during this weekend, composed with Audiotool and recorded live with Audacity, with a bit more work in FL Studio. So yeah, it's pretty raw, but I can say I am happy with it, even if there is ...